1/13
The new open stair creates new spatial connectivity between floors, linking community, adult, teen, children & staff programs. © Michael Moran (left), © Rice+Lipka (right).
2/13
On the branch's north side, an expansive window wall, part of the original building design, was reinstated. The restored opening washes the space with indirect daylight and visually linking the adult reading zone to the adjacent reading garden. © Michael Moran
3/13
A new sloped cast-in-place concrete entryway connects the original raised main floor to the street, replacing an abrupt, enclosed stair/wheelchair lift assembly. © Michael Moran
4/13
New glass and steel entry vestibule, raw concrete entry zone and steel/glass stair, bamboo millwork and graphically defined building cores contrast with restored or recreated classical trim detailing, stucco ceiling patterns and column bases/capitals.
5/13
An entry zone welcomes visitors in an extended sequence that connects with a centralized circulation desk longitudinally and links all floors vertically via a new open glazed stair.
6/13
The main building entrance and overhead arched window were replaced in accordance with original MMW drawings, allowing southern light to once again filter through street trees into a new adult reading lounge situated along the arched street facade.
7/13
New suspended lighting highlights the entry as an offset lighting grid illuminates the main reading areas below & restored historic detailing above.
© Michael Moran
8/13
A new open stair links the four levels of the library, spatially connecting community, adults, kids & staff.
9/13
Entry, adult reading & stair from the first floor circulation desk.
10/13
A herringbone light pattern illuminates the second floor children's areas. A restored hearth provides a center for toddler story time. © Michael Moran
11/13
New building cores are articulated as discrete, spatially-unifying color blocks inserted into open reading rooms. © Michael Moran
12/13
The cores are wrapped in a graphic installation, Core Values, which was conceived as a gradient color field that extends between floors and that emerges from the collective shifting chroma of individual letters arrayed across the volume. These colors conceal the literary fragments of which the entire character grid is composed. Excerpts from a diverse group of poets, writers and activists, including Dorothy West, Eleanor Roosevelt, Jean Toomer and Helen Keller are graphically banded together around the core volumes. The illusiveness and incompleteness of these fragments prompts visitors to explore the cores for texts in a process analogous to the non-linear, imperfect way they were likely produced.
13/13
Partitions, dropped ceilings and an enclosed stair and were removed to provide a completely open floor plate, materially unified by continuous white oak flooring underfoot and by a strong geometric array of light overhead. Specific reading zones are defined by groups of grey-stained bamboo millwork (circulation, copy stands, book cases), dark textured carpet islands, and varied furnishings.